Innovative Production Group

Technology

Technology

At The IPG, we strive to bring in innovation to the Broadcast Field.

More often the use of Graphics, Augmented Reality & Virtual Reality has increased the audience engagement.

Apart from usual: Spider Cam, Hawk-Eye, Ultra Cams, Super Slow Cams, we also have demonstrated some technological disruptions.

The IPG achieves this level of success in bringing innovation into the broadcast field primarily with the help of modernized technology for Live Sports. Very often the use of Graphics, Augmented Reality & Virtual Reality has increased the Audience Engagement and over experience of any Event.

We have professional operators for Spider Cam, Hawk Eye, Ultra Cams, Super Slow Cams and other technological wonders.


DRONE CAMERA

In the Live Broadcast room, it’s often said that the Drone Camera Shot is one of those technological marvels that show the true intensity & the scale at which any event is happening. Often times a user at home is astounded by seeing the number of people present in the stadium.

We have expert Drone Camera Operators with extensive experience, which helps us in getting the perfect shot for the Event.

DRONE CAMERA
DRONE CAMERA
DRONE CAMERA

SPIDER CAMERA

Spider Cam is another Innovative Camera Angle that’s often seen in Live Sports Production. Strung over the stadium, it’s gives a continuous shot of the Live Action from the ground to aerial transition.  

SPIDER CAMERA
SPIDER CAMERA
SPIDER CAMERA

HAWKEYE DRS

Hawk-eye utilizes 6 broadcast ultra motion cameras as part of the ball tracking system consisting of both mat cameras and the four run out cameras.

The run-out cameras are required to be exactly horizontal to the wicket.

A shutter rate of no less than 1/500 is also required

We used hawkeye-drs most recently in sri lanka in nidahas cup, msl 2018 & 2019, psl 4, ire vs eng 2019 etc.

HAWKEYE DRS
HAWKEYE DRS
HAWKEYE DRS

30 CAMERAS IN FULL HIGH DEFINITION

We are equipped to use a 30 Camera set up for any Live Cricket Event. This enables us to capture the action from every possible angle and ensure not to miss any thrilling moment of the match. Another advantage to the viewer is to watch the game from the most appealing angle to better their viewing experience.

30 CAMERAS IN FULL HIGH DEFINITION
30 CAMERAS IN FULL HIGH DEFINITION
30 CAMERAS IN FULL HIGH DEFINITION

BUGGYCAM (ALL TERRAIN BUGGY)

Buggycam is another such innovation that brings the action literally from the ground level.

It’s usually used secondary to the handheld camera usually during the walk up or walk back from the pitch following the players. It’s quite exciting for the TV audience to experience the anticipation of every player as they walk up to the pitch and play their innings.

BUGGYCAM
BUGGYCAM
BUGGYCAM

EQUIPMENT & CAMERA

OB EQUIPMENT

IPG own an OB Van & 3 Fly Away Kits in partnership with Wildtrack for the Sports Productions.

SATELLITE SERVICES

We provide Satellite, SNG services and distribution for clients in partnership with Video Vision. We use latest innovative and cost-effective transmission technologies.


SUPER SLOW & ULTRA MOTION CAMERAS

 

Super slo-mo replays have became part of the vocabulary of sports productions, it is impossible to imagine life without them. We understand the audiences expect the production values, which means delivering super slo-mo, with the same replay speeds and operational convenience, but with the higher quality of high definition.

The practicalities of television outside broadcast coverage, though, are such that super slo-mo cameras have to provide a live real-time output as well as send the high-speed output to a server for replay. So most of the design constraints are centered on ensuring that the camera output, whether live or in slow-motion replay, matches in image quality and colorimetry the regular cameras used elsewhere on the production.

Ultra motion camera will be cabled to the Video Matrix, and routed to a single input of an EVS for recording and playback. The camera is not a source on the vision mixer, and may be free-running (no Gunlock required).

The following connections are required to be installed from the camera to the control room:
16A Power (RCD protected]
HD Video (BNC or Fibre/Rattler combination)
Cat-6 RJ45

The operator's position in the control room will require two HD monitors to be supplied by the main OB equipment supplier (PGM and Ultra motion camera output), plus access to a comms panel.

CREW

 

OUR STRENGTHS:

Myriad experience of providing cricket globally Experienced and world renowned directors will be at helm of the broadcast.

Assisted by skilled producers, cameramen, EVS operators and the best-equipped engineers.

STATE OF THE ART STUDIO

Comprehensive studio show to be aired before, during and after the conclusion of each day's play.

Renowned guests, high end graphics (including virtual graphics) and an elegant set, will set the benchmark for cricket programming.


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